![]() ![]() ![]() Collectively, they’re unbeatable.įrom Finland’s dream team to its dream women… accordionist Johanna Juhola also joins singer Kukka-Maaria Ahonen and pianist Milla Viljamaa to form the trio Las Chicas del Tango (‘The Tango Chicks’). ![]() Tango-orkesteri Unto is made up of Pirjo Aittomäki (vocals), Timo Alakotila (piano), Johanna Juhola (accordion), Mauno Järvelä (violin), Petri Hakala (guitar) and Hannu Rantanen (bass), all stars of the Finnish music scene in their own right. In the world of Finnish tango – yes, they have tango in Finland! – one group stands above all others. It then discusses some of the major changes in historical practice before outlining the three major themes that are explored by the various articles in this thematic issue – digitisation and the archive, digital historical analysis, and historical knowledge (re)presentation and audiences.The paths of musical history are decorated with the rare jewels known as ‘super groups’, those stellar musicians who pooled their collective talents with results even greater than the sum of their parts. The article offers a short survey of history and computing since the 1960s with particular attention given to the situation in the Netherlands, considers various definitions of ‘digital history’ and argues for an integrative view of historical practice in the digital age that underscores hybridity as its main characteristic. This tendency towards technological determinism needs to be balanced by more attention to methodological and epistemological considerations. It argues that there is too much emphasis on tools and data while too little attention is being paid to how doing history in the digital age is changing as a result of the digital turn. This introduction is concerned with the changing practice of ‘doing’ history in the digital age, seen within a broader historical context of developments in the digital humanities and ‘digital history’. Through its combination of empirical, conceptual and contextual studies, Digital Histories is a timely and pioneering contribution taking stock of how digital research currently advances historical scholarship.ĭigital humanities seem to be omnipresent these days and the discipline of history is no exception. This also involves novel challenges that digital methods pose to historical research, including awareness of the pitfalls and limitations of the digital tools and the necessity of new forms of digital source criticisms. The volume argues that digital history is entering a mature phase, digital history ‘in action’, where its focus is shifting from the building of resources towards the making of new historical knowledge. The chapters apply an exemplary array of methods, such as digital metadata analysis, machine learning, network analysis, topic modelling, named entity recognition, collocation analysis, critical search, and text and data mining. The topics of the volume range from the medieval period to the present day, including various parts of Europe. information technology specialists – have uncovered new, empirical historical knowledge through digital and computational methods. It presents work by historians who – on their own or through collaborations with e.g. Digital Histories showcases this emerging wave of digital history research. All historians have experienced this change in one way or another, by writing on word processors, applying quantitative methods on digitalized source materials, or using internet resources and digital tools. Historical scholarship is currently undergoing a digital turn. ![]()
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